All posts tagged: Interventions

What to Make of Differences in the African Experience (1)

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In Berlin, I had the pleasure of catching up with some longtime friends and colleagues. Luckily it was in a low key Nigerian restaurant that allowed for conversations in off-pitch tones and wild laughter. On the table was a Nigerian and a Cameroonian who had been living and working in Berlin for 20 years or thereabout; two Ghanaians who just flew in for a performance—one of them of Romanian origin; a Nigerian who arrived Berlin from Libreville; and myself, a Nigerian who just got in from Amsterdam. There you have it: a heterogeneous mix of Africans that immediately trumps a simplistic notion of Pan-Africanism. It was the perfect setting for an impromptu debate about what Africa, or blackness should and should not be. It was a rich conversation, cutting across many historical pointers but geared towards one question: How do we change the status quo and inspire progress that breaks away from the pitfalls of neocolonialism? A departure point for me was to scale back to the time of Kwame Nkrumah, the symbolical figure of Ghana’s independence and a key pioneer of the concept …

We Must Find Another Way To Win: a brief reflection on Selma, The Movie

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In Berlin, I finally got the chance to see Selma. Sitting in the theatre, I went into oblivion before a torrent of advertisements and teasers – no popcorn, no beer (in Holland and Germany beers are allowed to go with your popcorn in Cinemas – a good enough reason not to go the cinema in France or Nigeria where it’s all soft drink). Eventually the movie kicked off. Like many movies of this kind which before getting to see them have been inundated with hypes and buzz, especially with its controversial outing at the Oscars, I usually come in with a certain level of apprehension coated with cynicism. Nevertheless, I brazed myself for the two-hour journey through this reenactment of a history we’ve come to know as pivotal in the repositioning of Black American narrative with regards to legislative rights. In the first few minutes, I found myself paying too much attention to the artifacts that are often the consequences of attempts to set a movie within a certain era, be it in the past or the future: the almost-forced accent and dress codes of the 60’s Alabama and Washington; …

Exploring a Void – “The Middle Ground”

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In my previous writing, A Border Philosophy, I discussed the nature of a border, as something porous but concurrently has the tendency to be a vacuum as a result of the various positionings of what it tends to separate. In taking that argument further, I propose to discuss this vacuum as a space that is no longer a space of nothingness but an In-between or an “Interstitial” space (Bhabha, 1994) – within which the negotiations of many intersecting factors give form to the nature and potency of a given border condition. Often times when we make references to a border, it is in relation to an outward physical quality that imposes one form of limitation or the other – be it in our everyday lives or in the more institutionalized context of borders between nations. A visual rendition of a border might lead us to conjure a thick mass of matter the size of one’s imagination obscuring further vision or the possibility of a more distant horizon. It could also come to us in form …

Movement is the Word

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Sometime ago, I came across Mo Ibrahim’s keynote address at the Nelson Mandela Annual Lecture in Tshwane, South Africa. I listened as he pronounced that (and I paraphrase) ‘there will be no progress on the African continent until there is free movement of cultures, capital and people across borders.’ From his words, we can deduce that in many different sectors, not just in the arts, the freedom – or the lack of it – associated with movement plays a major role in the discourse on how to forge ahead in a continent burdened by the downsides of abundance and possibilities. This much is clear. But what seems rather foggy in this mad rush for movement and exploration of possibilities, is the question of direction. Where are we heading? Are we transcending limitations or are we merely circulating within them? These questions have come to form the driving force behind the endeavours of artists and thinkers who champion ‘movement.’ Perhaps the aim is not to arrive at a definite answer. Perhaps it suffices that the questions …

Reflections on “Return to N’djamena”

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We have just returned from N’djamena after a very intense but super exciting 12 days. As some of you may have seen from all the postings on Facebook, the project was exciting and very well received by the N’Djamena public. The public engaged with the images displayed in a profound and unpretentious manner. They equally identified very much with the concept of Invisible Borders. What was intriguing (I believe, to them) was the fact that the exhibition featured mostly images from N’Djamena, but also Khartoum, Addis Ababa and a bit of Lagos and Abuja. From the feedback we picked up, the audience were able to situate themselves within the reality portrayed by the images. They identified familiar places, but were also able to project their imagination beyond as a result of the “openness” of the images and their tendency to depict occurrences in the public spaces of African cities. The N’Djamena audience was able to identify with the familiarity of places; people and structures proffered by the images, while at the same time relished the unorthodox gaze suggested by the creators of the images.

Discussing Aesthetics in The Trans-African Project

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Reality can be synthesized I am sitting in a moderately furnished apartment, in the living room precisely. There is a flower vase right before me, on top of my desk – with flowers, yes. Only that these flowers are synthetic and not the real thing. It got me reflecting: The extent to which reality could easily be synthesized in a bid to approach or reproach its inherent substance… For more than 20 days, I have been on the road, together with eight other participants; we are artists – photographers, writers, filmmakers and even one who simply calls himself a visual artist.  The project is called Invisible Borders, and as the name seems to imply, it is all about rendering the Visible Borders invisible, flattening it, blurring it, but in actuality, the experiences gathered after three years and three editions of the trip, suggests that the name of the project could be seen at most as encompassing different layers and aspects, or at worst, a very vague term.

Lagos to Accra on ABC Transport

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Where will I begin this one? It’s a few days after Christmas and the days are rushing towards the new year with lesser activities than before Christmas. I am in Lagos. Christmas for me has been sort of a laid-back one, more of reflections about life and its twists and curves. Naturally I was on the other side of things when it comes to all the high-sounding celebrations. But then an opportunity came, an idea struck. I could go to Accra for a few days rather than get stuck in the monotones of Christmas here. What is it like in Accra now? As a Trans-African being, a border-being so to speak, it was not at all an unwelcome thought, one that is likely to see the light of the day in action. Besides, Ghana has always been the much contested neighbor of Nigeria, and events constantly affirm that.

Transcending "Africa"

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In several terms, Africa has been bombarded with various nomenclatures in times past in efforts to define and sometimes cup its complexness. With vast stretches of lands, landscapes and intricate networks of people, making up one-sixth of the world’s population, that are constantly evolving, it is indeed understandable that it makes for concision to coin singular terms in order to abbreviate this ever dynamic continent and all that comes with it.