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A Time in Bloomington, Indiana and a note on the Dialectics of the Future.
This essay is a short recount of my time in the city of Bloomington in Indiana. In the later part of the essay, I shared lingering thoughts about the dialectics of the future.
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Dakar’s Vibrant Art Biennale: Beyond Exhibition as Display
Exhibitions must invite the audience to partake in an experience wherein they become co-sojourners on the road conjured by the artist's proposal. This road is one of myriad, rhizomatic strands for which Africa, in our time, is a story of journeys.
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Two Months in Barcelona: A Recap
Yesterday, it rained and somewhat doused the sunniness of the city. Yet, it rendered the coal-tarred roads, streets, and pavement glasslike and reflective — like a mirage. There is something about the earth-colour aesthetic prevalent in the city. It lends warmth and cosiness even to a gloomy atmosphere. In the sun’s absence, the sky acts like a giant softbox, the rain a diffuser. Tungsten-lit...
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On Truth and Honesty
“Truth is bitter” is an all too familiar expression. As it seems to me, the expression borrows its validity from an understanding of “bitter” as the opposite of “sweet” – chocolaty, ice-creamy, sweet – as such, the antithesis of comfort and the comfortable. Many English words and adages ought to be passed through the scrutiny of a renewed gaze if they are to retain...
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In Search of The Collective
In beginning this reflection about the collective, I have, ringing at the back of my head, an Igbo saying: Igwe bụ ike which translates to “the collective is power”. This saying is in many ways fundamental to the social psychology of the Igbo people of Nigeria with whom I share a lineage. Elsewhere, Chinua Achebe, the acclaimed Nigerian novelist, and critic, referred to this as...
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A Glimpse of Chennai, and its Photo Biennale (Part 1)
Twenty-four hours prior to hopping into a plane for a fifteen-hour journey, I had no idea I would eventually be making it to Chennai. My Nigerian passport seems to be the gift that keeps on giving where it has to do with being a document that, rather than aid mobility, actively facilities its restrictions. I was informed by the Indian embassy that holders of...
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Seeing in the Eye: On Photography and the Gaze
“The danger of identifying with a stranger is the possibility of becoming a stranger. To lose one’s racialized rank is to lose one own valued and enshrined difference”. In my preoccupation with borders, movement and all the various forms of differences they presuppose, I have, more often than not, encountered the question: how can imagery (and by extension photography) play a useful role in...
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Emeka Okereke Awarded France’s Knight of the Order of Arts and Letters: Acceptance Speech
On Saturday, 27th October 2018, Nigerian photographer, filmmaker, writer and visual artist, Emeka Okereke, was conferred France’s prestigious insignia of Chevalier De l’Ordre Des Arts et Des Lettres (Knight of the Order of Arts and Letters) by the Ministry of Culture of France. The award ceremony took place at the new Alliance Francaise, Lagos. The event was officiated by the Ambassador of France to...
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Is Amoeba Shapeless, or is Shapelessness a Shape?
I want to begin this reflection by taking some memory-steps back to my high school days when I was a science student. In our biology class, we were introduced to Amoeba, the shapeless, single-cell organism. As with most students of my age, the only character of this organism I really retained was its shapelessness. How can something be shapeless? I often wondered. The whole...
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Knowledge, Time and Futures of Super(s)heroes.
Is it possible to think from that silence (the silence created by coloniality of knowledge), to undo the colonial differences that “time” contributed to make and contributes to maintain?1 For well over two weeks, the cyberspace has been in a state of frenzy following the latest release of Marvel comics’ blockbuster superhero movie: Black Panther. What is it that makes this film different from...