This essay examines how an object-based gaze shapes our understanding of work through force as imposition. By internalizing this gaze, we objectify ourselves and others. Reframing force as expression reveals work as inherent movement—an expressive unfolding of being—transforming how we relate to ourselves, one another, and the world.
A meditation on breath, word, and manifestation — exploring how spirit becomes form through the instantaneous movement of thinking as divine action. The essay traces breath as the source of word, word as flesh, and listening as the sacred bridge where separation dissolves and presence reveals itself as life.
What is abundance?
Let’s start with breath — this primordial rhythm.
No one can say they know its origin no matter how much they attempt to measure it.
This meditative poetry-essay introduces, for the first time, the concept of the ahistorical figure and argues that transdisciplinarity is the disposition through which this figure moves—unbound by identification, narrative, or borders. It offers a poetic, philosophical critique of history and a vision of the bird that learns to fly without perching.
DIARY OF A BORDER-BEING 